<H2> Is it possible to unify the urban scenery by minimizing the formic expression of buildings as singular objects and emphasizing on the city as a whole? Unitizing different elements of the building including walls, windows, doors, etc., as well as reducing the variety of building materials could somehow address the so called issues. The project was designed as the headquarters for Kohan Ceram Brick Manufacturing Company. </H2> |
<H2> A series of separate gardens and terraces make this design a meditative getaway in this northern Iranian valley. The plot itself is wide at the meeting of the street, and bottlenecks as it moves away. In this way, the longer street-side wall adequately protects the privacy of the perpendicularly linear plot. Likewise, the levels of the villa and gardens themselves can be vertically focused as the land stretches further from the street on its north-south axis. The overall aim was to fully integrate all the elements of a traditional Persian house from Iwan to various forms of gardens, such as Baghcheh and sunken garden.
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<H2> This school has been designed for the Noor-e-mobin charity organization that is a NGO (non-governmental organization).This is a charity institute that has managed to provide the students with a different educational atmosphere based on the latest methods in the world at no charge. When we think of education, the classical form of schools and educational system comes into mind. Most of the people believe that a serious learning only takes place at that classical system. </H2> |
<H2> The Armenian anthropology museum of Isfahan is curated to showcase the culture and lifestyle of the Armenians from the time of their immigration to Isfahan (1604) until today. Vank Cathedral is one of the most historical churches in Iran, located in Isfahan, New Jolfa. Which was completed in 1664. </H2> |
<H2> The A.S.P. residential complex, (Kooy-e Nobonyad-e Vanak), was built in the early 1970’s and is made of three 23-floor residential towers. This complex houses 250 apartment units inside the towers and 120 villa-apartment, shaped in a staircase format, on the towers’ slopes and skirts. The board of directors of the complex has set strict policies for the reconstruction of the units. In addition, the existence of multiple shear walls, which are only 4 meters apart, makes new planning very difficult. </H2> |
<H2> Every project in architecture faces challenges that achieving the answer will create a specific scenario for that building. One of the features of this project’s site is its small width, which made limitations in interior (plan) and exterior (facade) design. Meanwhile, its two corners allow better lighting for the building. The project is located in Amirabad neighborhood of Tehran; the entrance is from the southern and western sides. </H2> |
<H2> The site is in the Royan city in north of Iran, located in a quiet residential area, where there was a beautiful forest in the past. the design started with a conversation with the client who was a religious man and privacy was very important to him also he had a limited budget and wanted to build a very simple building. carry out a modern, practical and timeless design, sophisticated and cozy, representing the natural light and ventilation that also saves the client tight budget were our main challenges of the project. </H2> |
<H3>
Recent Projects
</H3> |
<H3> Narbon Villa </H3> |
<H3> Narbon Villa </H3> |
<H3> Roje residential building </H3> |
<H3> Roje residential building </H3> |
<H3>
Notable Projects
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<H3>
Sponsors
</H3> |
<H3>
City Vision
</H3> |
<H3>
About Iran
</H3> |
<H3>
A view to Iran
</H3> |
<H3>
History of Iranian Architecture
</H3> |
<H3>
Architecture Tours
</H3> |
<H3>
Bulletins
</H3> |
<H3> دوران صد ساله تجدد در شهرسازی و معماری ایران </H3> |
<H3> دوران صد ساله تجدد در شهرسازی و معماری ایران </H3> |
<H3> جایگاه معماری ایران در جهان امروز </H3> |
<H3> جایگاه معماری ایران در جهان امروز </H3> |
<H3> جای پای معماری جدید ایرانی در آتلیه دهه *۴۰ </H3> |
<H3> جای پای معماری جدید ایرانی در آتلیه دهه *۴۰ </H3> |
<H3> معماری امروز بی زمان تر،جهانی تر گفتگو با علی اکبر صارمی </H3> |
<H3> معماری امروز بی زمان تر،جهانی تر گفتگو با علی اکبر صارمی </H3> |
<H3> گفتگو با فرهاد احمدی </H3> |
<H3> گفتگو با فرهاد احمدی </H3> |
<H3> نقش و تأثیر عوامل دولتی در معماری بناهای خصوصی در دوره ی پهلوی اول </H3> |
<H3> نقش و تأثیر عوامل دولتی در معماری بناهای خصوصی در دوره ی پهلوی اول </H3> |
<H3> طراح نخستین بنای بلند تهران </H3> |
<H3> طراح نخستین بنای بلند تهران </H3> |
<H3> از عمل گرایی تا عمل زدگی </H3> |
<H3> از عمل گرایی تا عمل زدگی </H3> |
<H3>
About Us
</H3> |
<H3>
information
</H3> |
<H3>
Contact us
</H3> |
<H4> The Firouzeh House (Turquoise… </H4> |
<H4> Khark multipurpose center </H4> |
<H4> A house between two… </H4> |
<H4> DEUXLOFT Residential apartment </H4> |
<H4> Bi-Hesar </H4> |
<H4> House No.10 Jolfa </H4> |
<H4> The Memory Of Garden </H4> |
<H4> Poonehzar Farm </H4> |
<H4>
Tehran City…
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<H4>
Takhti Stadium
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<H4>
Tehran Museum…
</H4> |
<H4>
Avicenna Mausoleum
</H4> |
<H4>
Azadi tower
</H4> |
<H4>
Pornik house
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<H4>
Carpet Museum…
</H4> |
<H4>
Shiraz Art…
</H4> |
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Social
Date sociale
Costurile și costurile anterioare au oferit această formă semi-publică de comunicare imposibilă. Dar progresele în tehnologia de rețele sociale din 2004-2010 au făcut concepte mai largi de împărtășire posibile.